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Fremaux might argue that this is because they keep making the best films.
Should there be only one film from Romania in competition – there are two, in competition.And he is still only 27, so we can expect to see his name rolling around for some time to come. He may not yet have made his masterpiece, but Dolan is unquestionably one of cinema's most vigorous talents.Along with Jeff Nichols and Winding Refn, Dolan's career has largely been carved out on the Croisette.It is these repeat appearances that suggest that there is an inner circle of Cannes favourites who will always be assured of a slot.Oscar-winner Laura Poitras has her new documentary on Julian Assange and the impact of rogue releases of information; there is a Danish-funded film directed by an Afghan woman, Perhaps it is the strength of the fortnight that has ramped up the usual accusations of festival favouritism, denied each year by festival director Thierry Fremaux.There is plenty of evidence that there are strings pulled behind the scenes – when the Robert de Niro boxing film was added to the programme at the last minute, there was a strong whiff of a Weinstein favour being called in – but it is also true that Cannes faces more difficult choices than any other festival.
Everyone wants a slot in Cannes, preferably in competition rather than the more adventurous sidebar Un Certain Regard.
When the Belgian film-making brothers Pierre and Jean-luc Dardenne, surely among the greatest film-makers alive, produce another of their riveting, controlled films about everyday life in a world ruled by money, can or should they be excluded on the grounds that we've seen their work and they have already won the Palme D'Or twice?
It is the year Australia has nothing in Cannes, which seems a dismal failure until you look at what has been picked. New films from Ken Loach, the Dardenne brothers, Pedro Almodovar, Jim Jarmusch and, again almost inevitably, Asghar Farhadi.
The competition line-up includes its usual collection of stalwarts, beginning with the almost ludicrously predictable choice of Woody Allen's as the opening-night film. Festival friend Jodie Foster – a friend because she speaks French and brings star wattage of the calibre of George Clooney with her – is showing her new film director George Miller chairs the festival jury, which includes actors Mads Mikkelsen, Kirsten Dunst Donald Sutherland and Vanessa Paradis, as well as the young Hungarian director Laszlo Nemes who made last year's extraordinary Actually, there are 28 countries represented in the Cannes line-up; it is able to cast its net wide. What with the various longstanding allegiances, behind-the-scenes politicking by certain producers and the fact that, whatever the Cannes Film Festival's unarguable status as the world's leading international film festival, it is still very definitely French, it is inevitable that even strong contenders miss out.
Some of the more remarkable omissions from the festival's official programme, such as was one of the best films of last year) have since turned up in Directors' Fortnight.
What this means is that the festival's informal rebel sidebar has one of its most interesting line-ups in memory.